乐队于2011年组建于美国纽约，尽管成员平均年龄仅有20岁左右，却有着让人羡慕的创作才华。

仅发行了一张专辑，优秀动人的音乐足以打动用心的聆听者。随后，2013年乐队获邀参加 美国最赋盛名的Coachella音乐节。通过音乐节的精彩表现，这支乐队既漂亮的宣传了自己 同时他们的表现更获得了更多的歌迷和喝彩。

Also known as Dive

Origin New York City, New York, U.S.

Genres Indie rockdream/popshoegaze/post-punk

Years active 2011–present

DIIV (pronounced and formerly known as Dive) is an American rock band from Brooklyn, New York City, formed in 2011. The band consists of Zachary Cole Smith (vocals, guitar), Andrew Bailey (guitar), Colin Caulfield (bass, keyboards, guitar, vocals) and Ben Newman (drums).

Initially called Dive, the band started as Smith's solo recording project. After releasing three singles—"Sometime", "Human" and "Geist"—on Captured Tracks, DIIV released its debut studio album, Oshin, on June 26, 2012.

In 2016, the band released its second studio album, Is the Is Are, after a lengthy and troubled creation.[1] On October 4, 2019, DIIV's third album, Deceiver, was released on Captured Tracks.

乐队简介

DIIV—Zachary Cole Smith [lead vocals, guitar], Andrew Bailey [guitar], Colin Caulfield [vocals, bass], and Ben Newman [drums]—craft the soundtrack to personal resurrection under the heavy weight of metallic catharsis upheld by robust guitars and vocal tension that almost snaps, but never quite

乐队名称:DIIV 潜水乐队

成立时间:2011至今

成立地点: Brooklyn New York City 纽约布鲁克林

风格:Indie Rock 独立摇滚

乐队成员

Devin Ruben Perez 贝司

Andrew Bailey 吉他

Zachary Cole Smith 人声 吉他

Ben Newman 鼓手

Colby Hewitt 鼓手（离队）

详情介绍

Rebirth takes place when everything falls apart. DIIV—Zachary Cole Smith [lead vocals, guitar], Andrew Bailey [guitar], Colin Caulfield [vocals, bass], and Ben Newman [drums]—craft the soundtrack to personal resurrection under the heavy weight of metallic catharsis upheld by robust guitars and vocal tension that almost snaps, but never quite…

The same could be said of the journey these four musicians underwent to get to their third full-length album, Deceiver [Captured Tracks]. Out of lies, fractured friendships, and broken promises, clarity would be found.

“I’ve known everyone in the band for ten years plus separately and together as DIIV for at least the past five years,” says Cole. “On Deceiver, I’m talking about working for the relationships in my life, repairing them, and accepting responsibility for the places I’ve failed them. I had to re-approach the band. It wasn’t restarting from a clean slate, but it was a new beginning. It took time—as it did with everybody else in my life—but we all grew together and learned how to communicate and collaborate.”

A whirlwind brought DIIV there.

Amidst turmoil, the group delivered the critical and fan favorite Is the Is Are in 2016 following 2012’s Oshin. Praise came from The Guardian, Spin, and more. NME ranked it in the Top 10 among the “Albums of the Year.” Pitchfork’s audience voted Is the Is Are one of the “Top 50 Albums of 2016” as the outlet dubbed it, “gorgeous.” With total streams for the tracklisting nearing 100 million on Spotify by 2019, “Under the Sun” clocked 19 million with “Dopamine,” “Bent (Roi’s Song),” and “Out of Mind” each passing the 7 million-mark.

In the aftermath of Cole’s personal struggles, he “finally accepted what it means to go through treatment and committed,” emerging with a renewed focus and perspective. Getting back together with the band in Los Angeles would result in a series of firsts. This would be the first time DIIV conceived a record as a band with Colin bringing in demos, writing alongside Cole, and the entire band arranging every tune.

“Cole and I approached writing vocal melodies the same way the band approached the instrumentals,” says Colin. “We threw ideas at the wall for months on end, slowly making sense of everything. It was a constant conversation about the parts we liked best versus which of them served the album best.”

Another first, DIIV lived with the songs on the road. During a 2018 tour with Deafheaven, they performed eight untitled brand-new compositions as the bulk of the set. The tunes also progressed as the players did.

“We went from playing these songs in the rehearsal space to performing them live at shows, figuring them out in real-time in front of hundreds of people, and approaching them from a broader range of reference points,” he goes on. “We’d never done that before. We got to internalize how everything worked on stage. We did all of the trimming before we went to the studio. It was an exercise in simplifying what makes a song. We really learned how to listen, write, and work as a band.”

The vibe got heavier under influences ranging from Unwound and Elliot Smith to True Widow and Neurosis. They also enlisted producer Sonny Diperri [My Bloody Valentine, Nine Inch Nails, Protomartyr]. his presence dramatically expanded the sonic palette, making it richer and fuller than ever before. It marks a major step forward for DIIV.

“He brought a lot of common sense and discipline to our process,” adds Cole. “We’d been touring these songs and playing them for a while, so he was able to encourage us to make decisions and own them.”

The first single “Skin Game” charges forward with frenetic drums, layered vocals and clean, driven guitars that ricochet off each other.

“I’d say it’s an imaginary dialogue between two characters, which could either be myself or people I know,” he says. “I spent six months in several different rehab facilities at the beginning of 2017. I was living with other addicts. Being a recovering addict myself, there are a lot of questions like, ‘Who are we? What is this disease?’ Our last record was about recovery in general, but I truthfully didn’t buy in. I decided to live in my disease instead. ‘Skin Game’ looks at where the pain comes from. I’m looking at the personal, physical, emotional, and broader political experiences feeding into the cycle of addiction for millions of us.”

A trudging groove and wailing guitar punctuate a lulling apology on the magnetically melancholic “Taker.” According to Cole, it’s “about taking responsibility for your lies, their consequences, and the entire experience.” Meanwhile, the ominous bass line and crawling beat of “Blankenship” devolve into schizophrenic string bends as the vitriolic lyrics. Offering a dynamic denouement, the seven-minute “Acheron” flows through a hulking beat guided under gusts of lyrical fretwork and a distorted heavy apotheosis.

Even after the final strains of distortion ring out on Deceiver, these four musicians will continue to evolve. “We’re still going,” Cole leaves off. “Hopefully we’ll be doing this for a long time.”

Ultimately, DIIV’s rebirth is a hard-earned and well-deserved new beginning.

Zachary Cole Smith – lead vocals, guitar (2011–present)

Andrew Bailey – guitar (2011–present)

Colin Caulfield – bass (2018–present); backing vocals (2013–present); keyboards, guitar (2013–2018)

Ben Newman – drums (2015–present)