Some of the songs on this are better experienced in the film (the version of Language is a Virus in the film is some of Andersons grittiest and best work - the version on this disc is over-produced and glossified), but many songs here stand perfectly on their own. White Lily and Radar cast beautifully haunting moods (each in less than three minutes!). And the ending of Late Show gives you chills after even a hundred plays. Not her best album, yet it contains some of her finest, simplest work.